The gaze glides from square to square, drawn into this geometric spiral that seems at once to move toward the center and out of it. John Beckley organizes the composition into broad successive bands, with darkened edges, creating architectural depth. On this very clear structure settle colorful splashes, dots, fragments of letters and more organic motifs, evoking urban aesthetics. The colors evolve from dark tones toward a luminous core, where white and light yellows diffuse an impression of openness. In the middle of this square movement, the small central opening acts like a vibrant nucleus where everything converges.
