At the center, a white light bursts forth and projects a network of taut lines all around, like a geometric stained glass window in motion. John Beckley organizes the surface into large colored triangles, cut by black and white segments that converge toward this luminous focal point. On this very clear structure settle splashes, drops, and dark streaks, which add substance and a sense of depth. The energy comes from this tension between order and overflow, between precise lines and freer gestures. The bright core, saturated with colored projections, seems to vibrate in the middle of the composition.
