The angles seem to cross like trajectories frozen in mid-motion, structured by long, crisp black bands. John Beckley organizes the space around a very luminous white center, which cuts through the colored triangles and creates a clear separation between the planes. The deep blues and fuchsia appear in geometric flat areas, yet their surfaces remain vibrant, marked by more irregular textures and dark nuances. This tension between precise straight lines and a more raw material gives the whole a strong graphic energy, reinforced by the diagonals that cross the entire surface.
